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The Connoisseurs Book of Japanese Swords, by Kokan Nagayama
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Recently Japanese swords have gained enormous popularity as art objects with collectors and enthusiasts around the world, but until now much of the most detailed information on the subject has been available only in Japanese. This comprehensive guide to the appreciation and appraisal of the blades of Japanese swords provides, at last, all the background that readers need to become true connoisseurs.
The book is organized along historical lines for the sake of clarity and convenience, and its approach is always practical. Broad discussions of each tradition within the Gokaden focus on the features that distinguish specific schools and smiths-the various kinds of jihada, hamon, boshi, and hataraki favored in different periods and regions-making this an invaluable reference tool for all enthusiasts, especially those who wish to take part in kantei-kai, or sword appreciation meetings. Each section closes with an easy reference chart summarizing the distinctive features of the work of various schools and smiths.
The chapter on terminology gives advice on what to look for when examining the different parts of a blade, again making reference to the unique features of particularly significant smiths. The chapter on care and appraisal of blades tells precisely how to handle blades and what to expect at a sword appraisal meeting, including an explanation of all the various responses that a judge may give in response to a bid.
Richly illustrated throughout with more than 550 of the author's own painstaking oshigata illustrations-sword tracings onto which details are penciled in by hand-The Connoisseur's Book of Japanese Swords is easily the most informative and comprehensive guide to the blades of Japanese swords ever to appear in English.
Kokan Nagayama, who is widely recognized as one of the foremost living sword polishers, compiled the notes for this book over the course of many years spent teaching the arts of polishing and appraisal.
Nagayama-sensei is widely recognized as one of the foremost living sword polishers and is a veteran teacher of both polishing and appraisal. Here in one accessible volume he distills the store of knowledge he has gained over a lifetime of intensive research.
"Nagayama-sensei and his senior pupils have for many years now taken an enlightened approach to study of Japanese swords outside of Japan. They have been of great assistance to collectors here in Great Britain and in other countries, traveling and living abroad, organizing exhibitions, teaching us and polishing our swords, always in an altruistic spirit. This translation is another example of this same approach. In the past we have often struggled on our own or in small groups to gain an understanding of this peculiarly Japanese cultural asset, and with many of the definitive books on the subject still untranslated, a wealth of information has in the past been inaccessible to the non-Japanese reader. The Connoisseur's Book of Japanese Swords will be of great help in making educated judgments at kantei sessions, and will be an invaluable and constant reference work."
-From the Foreword by Clive Sinclaire
Chairman of the Token Society of Great Britain
- Sales Rank: #961825 in Books
- Published on: 1998-03-02
- Original language: Japanese
- Number of items: 1
- Dimensions: 7.80" h x 1.20" w x 10.20" l, 2.67 pounds
- Binding: Hardcover
- 368 pages
From the Back Cover
"Nagayama-sensei and his senior pupils have for many years now taken an enlightened approach to study of Japanese swords outside of Japan. They have been of great assistance to collectors here in Great Britain and in other countries, traveling and living abroad, organizing exhibitions, teaching us and polishing our swords, always in an altruistic spirit. This translation is another example of this same approach. In the past we have often struggled on our own or in small groups to gain an understanding of this peculiarly Japanese cultural asset, and with many of the definitive books on the subject still untranslated, a wealth of information has in the past been inaccessible to the non-Japanese reader. THE CONNOISSEUR’S BOOK OF JAPANESE SWORDS will be of great help in making educated judgments at kantei sessions, and will be an invaluable and constant reference work." —From the Foreword by Clive Sinclaire, Chairman of the Token Society of Great Britain
About the Author
KOKAN NAGAYAMA is one of the great contemporary sword polishers. He has been designated a mukansa ("without supervision") polisher, a level above the regular sword-polisher ranking system. He is a judge of both the sword polishing and swordsmithing competitions of the Nihon Bijutsu Token Hozon Kyokai or NBTHK (Society for the Preservation of Japanese Art Swords), for which organization he serves as an instructor of sword polishing. In 1967 in Kanagawa Prefecture he founded the Nagayama Kenshujo (Nagayama Japanese Sword-polishing Institute), where he taught the art of polishing to both polishers and smiths for twenty years. He has organized several token-kai (sword study groups) and instructed hundreds of sword enthusiasts.
KENJI MISHINA, the translator, is a sword polisher who served as chief instructor at the Nagayama Kenshujo for seven years beginning in 1979. He has been authorized by the Japanese government to restore swords designated as kokuho (national treasures) and juyo bunkazai (important cultural assets). He has been awarded numerous prizes in the sword polishing competitions of the NBTHK. He lived in England for six years beginning in 1986, where he worked for the British Museum, lectured at the monthly meetings of the Token Society of Great Britain, and received a request from the British royal family to polish its sword collection. He is currently writing a series of articles on the Japanese sword for this site. He is the translator of The New Generation of Japanese Swordsmiths.
Most helpful customer reviews
49 of 50 people found the following review helpful.
The next step after reading Yumoto's book for collectors
By djandj@ix.netcom.com
The Connoisseur's Book, is just that. It is very detailed and a must for any serious student of Nihonto.
The pluses are the incredible depth of research and information. Nagayama details all five priciple schools as well as the common traits and outstanding smiths of the schools.
The only downside is the lack of full color (or even b/w for that matter)picures of the blades and styles he is talking about. However, the drawings do well to illustrate the style. I just would have prefered to see actual blades since that is what I would be looking for as a collecter.
Overall- a very good read - Nagayama gives a great history of the development of the Nihoto.
As a reference tool, the book is not well set up for quick access, but does provide the information needed if you mark the various pages.
Basically more detailed that Yumoto's book and the next step for the collector in his study of Nihonto.
11 of 11 people found the following review helpful.
An excellent piece of work!
By R. Marotz
The Connoisseur's Book is exceptionally detailed and not to mention very aesthetically pleasing. The book itself has the feel and look of a high-quality encyclopedia. As should be expected, the information inside is very well detailed. It is an excellent book and I very strongly recommend it, particularly if you are ready to start deeper in-depth studies of Nihonto. For a novice, I would probably suggest the books by Sato and Yumoto. But this is what I feel would be a step beyond those.
Absolutely marvelous. Well written, very clear, of course as was mentioned in another review it sorta lacks photographs, but that's quite OK, as the illustrations do an excellent job of portraying things.
For those of you who are more passively interested, this book will be overkill and unnecessary when you can do well with the aforementioned books, but if you are serious...this book is a splendid piece of work that will be VERY enjoyable for you to delve into. Not only for information, but as a good read.
12 of 13 people found the following review helpful.
Japanese Sword Collector's Kantei Encyclopedia
By Joe Pierre
National Living Treasure Kokan Nagayama's "Connoisseur's Book of Japanese Swords" is one of the definitive references on Japanese swords (nihonto) available in English translation. I bought it after either purchasing or familiarizing myself with several other essential, but much more basic tomes such as John Yumoto's "The Samurai Sword: A Handbook," Kazan Sato's "The Japanese Sword: A Comprehensive Guide," and Kapp and Yoshihara's "The Craft of the Japanese Sword." Each of these books has a niche, along with relative strengths and weaknesses (e.g., Yumoto's book is but a brief overview with crude hand illustrations, Kapp & Yoshihara focus on a general overview of forging, etc.) such that those seriously entering the world of nihonto would be well-served to collect them all (after all, all of these books together are going to cost a infinitesimal fraction of the cost of a nihonto and will therefore be a sound investment).
The stated intent of the Connosieur's Book is to arm the novice with a beginning understanding of the types of things that one would need to learn about kantei, the art of nihonto appraisal. Having said that, the level of detail here is far beyond that found in most other introductory books about nihonto for novices, and probably more than the casual fan of "samurai swords" would benefit from. The book is really designed as a reference and includes considerable detail. It does a nice job of going through major and subtle differences of nihonto through different eras and schools of sword-making, along with a brief historical context to explain changes and influences. It likewise gives an illustrated reference to variations in sugata (shape), design (sori, mune, shinogi), hamon (hardened edge), nakago (tang), kissaki (tip), hada (steel grain), horimono (engravings) and the like. There are no photos, but there are ample oshigata-style illustrations showing the subtlest variations to match with the text. Significant detail is included listing various schools of forging and individual smiths -- all of which are essential building blocks for kantei. There's also an appendix on inspection etiquette, charts organizing smiths and characteristics of their blades, and a glossary.
It's therefore a fine reference, from one of Japan's leading authorities, but as with the other books of the genre, there are strengths and limitations. The strong point of this text is its encyclopedic detail along with decent organization and illustrations. I picked this book up hoping to learn more (having read the other books, taken a course in forging of Japanese swords, and training in Japanese swordsmanship) about differences in major traditions of swordmaking. The book helps to explain that, but perhaps not in the clearest way. As but one simple example, Nagayama Sensei writes, "Swords of the Shoshu tradition typically have abundant ji-nie as well as chikei in the ji, and a hamon consisting of nie with vigorous activity such as kinsuji and inazuma." The Japanese terms can be cross-referenced elsewhere in the book, but they are presented individually and piecemeal, such that it can often be hard for the novice reader to get any kind of clear overall mental picture of the subtleties referred to in the text (e.g. what does it really mean that the nie is 'abundant' or 'vigorous?'). So what is missing? More illustrations of entire swords (and at least some photos) could be of use, along with side-by-side comparisons to understand the relative differences between styles (e.g. here is a typical Bizen, here is a typical Shoshu and here's how they're different), or maybe a few examples of swords in which the reader is taken through the process of kantei.
Of course, there is only so much you can teach in a book... you can't very well expect to read a manual on swordsmanship, car repair, or reading EKG's and then get right to it -- rather the manual gives you an overview, you then take up the practice, and later you go back to the book for reference. So it is here -- I seriously doubt the book would be very helpful for those who don't plan to earnestly start collecting nihonto and studying kantei, and in fact the level of detail and complexity might very well turn some away. But for those looking for "the next level" of reference after Yumoto or Sato, this book is a good start to learn and refer back to as you then track down, join, and attend your local Token-Kai. It's probably one of the best English language references, but it's not a tutorial or class-in-a-book nor does it claim to be.
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